Toyama RyuToyama Ryu Batto Do
Japanese Swordsmanship

Following the path of the Samurai
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The Wave

Jōdan | Chudan | Gedon | Hidari Kesa | Migi Kesa | Migi Kesa Gyaku Kesa | Hidari Kesa  Gyaku Kesa | Suihei

Toyama Ryu Standard Cuts - Hidari Kesa / Gyaku Kesa 左袈裟 /逆袈裟

Falling diagonal cut to the left followed by reverse diagonal cut

  • Start in Migi Seagon Kamae
  • Switch the forward foot
    • Step up with the right foot and back with the left foot
    • Maintain position
  • Announce the name of the cut “HIDARI KESA GYAKU KESA” and raise the sword to the starting position.
    • Movement should start with kissaki
    • Reach out with kissaki as katana is raised overhead
    • Do not change stance
  • Starting Position of cut
    • Katana monouchi should be at about 10 degrees up.  It has to be between horizontal and 45 degrees.
    • Katana should be at least 6 inches above the head
    • Koshira should be about 4 inches in-front of the forehead
    • Koshira should be just within peripheral vision when looking forward
    • Elbows should be pushed out to keep from obscuring view
    • Bones in forearms should be aligned with tsuka
    • Wrists should be pushed inward to “wring” the tsuka
    • Keep the shoulders down and even
  • Making the first cut
    • The left hand should never move the right or left
    • Start the cut with the hands moving forward (not down)
    • The left hand should rotate and the right hand push up to snap the kissaki up
    • Reach out with kissaki to a point as far forward as possible 6” to the right of the right foot and one feet over the head
    • The kissaki should pass directly in-front at about the chest level
    • The edge should be angled slightly farther down than the direction of the cut
    • Stop putting energy into the cut after reaching this point
    • Do not allow pad of hand to slip off the tsuka
    • Let the arms relax and let the sword drop into the final position of the cut
    • The kissaki should not bounce
    • Do not drop the body
  • Finishing position of the first cut
    • Make sure the pads of hands are still on top off the tsuka
    • The right arm should be bent with the elbows at the sides
    • The kissaki should be forward and level with the knee and about 6” to the left of the left foot.
    • The edge should be still be angled slightly farther down than the direction of the cut
    • The shoulders should be down and even
    • The left hand should be directly in-front of the navel
  • Moving back to starting position of the second cut
    • Rotate the body to the right keeping the torso straight
    • The shoulders should be kept level
    • The kissaki is kept at the height of the knee as the katana is shifted to the rear using the right hand
    • The left hand is kept directly in-front of the navel
    • The kissaki should be about 6” to the left of the left foot
    • The ha should be pointed downward and slightly forward (to the left)
  • Making the second cut
    • The left hand is kept directly in-front of the navel
    • Start the cut with the body starting to rotate clock-wise
    • The left hand should rotate and the right hand push down to snap the kissaki forward
    • Reach out with kissaki to a point as far forward as possible 6” to the left of the left foot and at the height of the knee
    • The kissaki should pass directly in-front at about the chest level
    • The edge should be angled slightly farther up than the direction of the cut
    • Stop putting energy into the cut after reaching this point
    • Try to keep the pad of hands on the tsuka
    • Let the arms relax and let the sword continue up into the final position of the cut
    • The kissaki should not bounce
    • Do not raise the body
  • Finishing position of the second cut
    • The kissaki should be as far forward as possible, about 6” above the head, and about 6” to the right of the right foot.
    • The monouchi should be horizontal and the katana pointed forward
    • The edge should be still be angled slightly farther up than the direction of the cut
    • The hands should be above the head
    • The shoulders should be down and even
    • The left hand should be directly in-front of the navel
    • The torso should be rotated to the right
    • The back should be straight
  • Moving back to starting position for the next cut
    • Keep the kissaki at the same level
    • Move the hands is a straight line
    • Rotate the katana is a clockwise arc
    • Rotate the torso
    • All movement should occur at the same time
    • The back should be kept straight
    • The shoulders should be kept down and level
  • Moving back to Seagon Kamae after all cuts
    • Move back to the starting position for the next cut
    • Make a slow motion chudan cut
    • The back should be kept straight
    • The shoulders should be kept down and level

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